 We're excited and honored to see Patti White's experimental novella Particularly Dangerous Situation listed in Jacob Singer's Small Press Release list at Entropy Magazine.
Check out the full list here.  Tacoma Weekly gives a mention to the new edition of Laura Krughoff's short story collection Wake in the Night. Laura lives in Tacoma and is an assistant professor at the University of Puget Sound. The new edition of her story collection is available on the Arc Pair Press website, Amazon, and select bookstores. Read the article here. Forthcoming in 2020: The Novellas Cover Design: Alban Fischer
Let It Be Our Ruin
by Lee Tyler Williams Arriving Winter 2020 Crisscrossing through the small towns of Argentina to find a rare rock album, a middle-school teacher from Texas is forced to confront his understanding of the past. Through the language of music, Let It Be Our Ruin examines the myths of identity and historic realities. Rumors about a musician whose fame peaked during the Argentine Dirty War and teenage gossip about a high-school friend harmonize with the stories of nations to create a composition about grief, the multiple ways of speaking truth, and the blues. Listen to the playlist accompaniment on Spotify! It's composed of 1960s - '80s Argentine music and Mississippi delta and Chicago blues. ORDER HERE: Let It Be Our Ruin
"Let It Be Our Ruin is a profound and elegiac novella about exile and friendship. Williams is a graceful, stunning new talent. Following the quest for a mysterious rare album and an Argentine musician whose legacy was nearly forgotten after the Dirty War, Let It Be Our Ruin reveals the vast and intimate ways in which music and loss binds us across myth, language, and shattered histories." ~ Michael Zapata, author of The Lost Book of Adana Moreau
"On the surface, Lee Tyler Williams’s novella is a story about a music collector who embarks on a trip to find an obscure record, but at its core, it’s a story about history, loss and love. Its trip into the wilds of obsession asks us to look at what drives us (those shadows of fascination we cannot shake from us). Encyclopedic and shrewd in its cultural observations, Let It Be Our Ruin is an enthralling bifurcated ethnography that sings a wondrous song and we’d be well served to listen." ~ duncan b. barlow, author of A Dog Between Us, The City, Awake, and Of Flesh and Fur "Lee Tyler Williams has written a charring and delightful quest novel that is a must read for anyone who has sought the answers to the universe's deepest questions in music and travel. Part bonfire ash and part bougainvillea petals, Let It Be Our Ruin is a gem for wayward souls to snuggle against. A super cool novella!!!" ~ Brian Allen Carr, author of Opioid, Indiana  Cover Design: Brian Oliu
Particularly
Dangerous Situation by Patti White Arriving Winter 2020 A devastating tornadic storm hits Alabama after erasing the state of Mississippi. Among the survivors are a distraught weatherman, a woman strapped to a dental chair, a man carrying a dead cat, and a golf-club wielding real-estate agent who encounters the undead. In this experimental novella, White’s poetic prose captures the endless trauma of catastrophe: the physical and emotional disorder, the chaotic and contingent patterns of events. Here, the reader will find no neat resolution. Life after grand-scale destruction and near-death experience is effectively another kind of cyclone: spinning and relentless, a state of free fall through dense and violent clouds. ORDER HERE: Particularly Dangerous Situation 
Patti White is the author of four collections of poems, Tackle Box (2002), Yellow Jackets (2007), Chain Link Fence (2013), and Pink Motel (2017), all from Anhinga Press. Recent chapbooks include A is for Aphasia (2013), Kontakion (2014), and District Flood (2014). Her poetry has appeared in journals including Iowa Review, North American Review, River Styx, Nimrod, DIAGRAM, Forklift Ohio, Parcel, McNeese Review, Slippery Elm, Vine Leaves, Waccamaw, and New Madrid; her nonfiction can be found in Gulf Coast and Mulberry Fork Review. She lives in Tuscaloosa, Alabama.
"The title of Patti White’s Particularly Dangerous Situation may refer to a storm, perhaps even an apocalyptic one. It might refer to some collective delusion, or it might refer to the situation of living in a world that can produce such a storm. In the end, however, White’s dangerous situation comes down to the intellectual and artistic risk this lyrically narrative collection makes: turning disaster into art. White—who lived through a tornado that devastated Tuscaloosa, Alabama, in 2011—has a survivor’s sense of devastation tempered by an artist’s desire to transform the world. With a poet’s sense of language and gifted storyteller’s pacing, White channels voices (like Faulkner in As I Lay Dying) which provide lenses for understanding a loss that each one struggles to conceive, but the struggle to tell their stories on their terms provides the terra firma of this unique novella. After all, as White writes, '[We] are caught in a narrative that might not be survivable.'” ~ Jeff Newberry, co-author of Cross Country
"Poet Patti White concocts with this stunning and stuttering prose engine, Particularly Dangerous Situation, a Medusa-haired memo war on the fly, a transcript of Traumatic Stress Disorder before it gets a chance to be Post. I kept thinking of what black and white disasters were befalling Kansas when Toto wasn’t there anymore. White’s draining novella is all Coriolis effect and falling isobars of emotion, rich in vortices and bowing echoes of booming syntax. Diaphanous and occluded, the book is a catalogue of jagged and jittery clouds—mackerel smacked, nightmare’s tails, an Old Testament hardware store of hammers and anvils." ~ Michael Martone, author of The Moon Over Wapakoneta and Brooding "Particularly Dangerous Situation consumes and entrances. In fact I became Jonah in the belly of a twister built by White. Each page—each sentence—is another edge, ledge, ledger, conflagration. And yet for every collapsing absence in this tour-de-force, White's poet-steeped prose wills a luminous architecture by which to know the way. And just as I finished this scorcher, I began it again. There is no finer compliment than that arc traced by leaping back to word one. This is White at her finest. I urge you toward PDS today!" ~ Abraham Smith, author of Destruction of Man The 2019 Catalog Cover Art/Design: Dustin Hyman
Pleasing Tree
by Brooke Larson Nominated for the 2020 AML Award for Creative Nonfiction! Nominated for the 2020 CLMP Firecracker Award for Creative Nonfiction! Brooke Larson’s essay collection Pleasing Tree explores the human relationship with the wilderness. Beginning with a Mormon-founded experiment in primitive survival, teenagers hike the Arizona desert while Larson shines light on the effects of prolonged exposure to the outdoors, to lands considered inhospitable to life. Recalling Biblical and religious sojourns, Larson maps her own travels from the desert to Salt Lake City to New York City to Jerusalem, observing the life that curls in a leaf, the bug that spews cinnamon-flavored goo, and the water that occasionally floods the desert. Her essays track the impact the often unnoticed has on the human psyche, discovering the awe upon the recognition that even the desert’s heart beats. This collection crawls with insects, communicative plants, and poetry. It pulses with blood and breath, excrement and the bodies of the living. (Personal Essays/Lyric Essays) Brooke Larson is a writer, collagist, and sometimes wilderness guide. She holds an MFA in Creative Writing from Columbia University and a PhD in English from the University of Louisiana at Lafayette. A chapbook of her poem-plays, “Origami Drama,” is available through Quarterly West. ORDER HERE: Pleasing Tree
 Cover Design: Alban Fischer
I and You
by J. David Stevens The four stories in J. David Stevens’s I and You focus on immigrants and their families, characters trying to find the merge point between the China of a previous generation and America today. A teenage son puzzles over his father’s obsession with American football. A Texas lesbian falls for an international graduate student. A divorced middle-aged woman tries to right an old wrong in the life of a man for whom she serves as caregiver. Through episodes where intimacy falters in the face of palpable distance, characters must confront unknowable details in the lives of even those closest to them: parents, lovers, confidantes. These are ghost stories of a kind, tales of what was lost and what was let go during the cultural journey from East to West. (Realism/Short Stories) J. David Stevens's Mexico is Missing won the Ohio State University Prize in Short Fiction in 2006. His work has appeared in a variety of national magazines, including Harper's, The Paris Review, Tin House, The Southern Review, Gettysburg Review, River Styx, and Mid-American Review. In addition, several stories have been anthologized in collections from W.W. Norton and Longman, as well as in The Best American Nonrequired Reading Series. His most recent nonfiction appears or is forthcoming in Post Road, River Teeth, Sonora Review, and Denver Quarterly. He lives in central Virginia with his wife and two children, where he teaches at the University of Richmond.
ORDER HERE: I and You
"Stevens's stories powerfully demonstrate the never-ending process of adaptation, questioning, and learning that migration forces upon us all, immigrants or not. The unknown, the other, isn't just the new culture or race, but the family history that remains hidden, left behind. Stevens is at his best when he explores the emotional repercussions of having to find one's way through life with this incomplete knowledge. His characters' stories are full of failures and disappointments, unexpressed desires and pains, but Stevens gives us a ray of hope at the end, in the child who finally draws a straight line in calligraphy class, the caregiver who gains a better understanding of the husband who left her, the lover who finds a calling for Chinese cooking. Ultimately, these are stories of empathy and love in the everyday world, where people reach out to each other and keep practicing, even if the end result is imperfect." ~ Patricia Campion, The Collagist
"The ways in which [Stevens's] characters perform their 'liminal identity,' reacting to the dueling social pressures of China and America, give the stories a quiet yet potent drama." ~ David Amadio, Cleaver Other Interviews & Reviews Cover Design: Alban Fischer
The Paper Life They Lead
by Patrick Crerand Received Honorable Mention in the Writers' Bone 2018 Best Books List! ORDER HERE: The Paper Life They Lead
 Cover Art/Design: Ava Rockafield
Wake in the Night
by Laura Krughoff ORDER HERE: Wake in the Night REVIEWS: jmww INTERVIEWS: Florida Writer Podcast Radio Tacoma, 101.9 FM, Tacoma, WA Q & A  Cover Art/Design: Christine Mugnolo
Mouth Trap
by Rebbecca Brown ORDER HERE: Mouth Trap REVIEWS: Heavy Feather Review Entropy Magazine INTERVIEWS: Q & A  Particularly Dangerous Situation
by Patti White Available January 2020 Excerpt... Weatherman When I say that it is best to be two-dimensional during a storm, I mean that pieces of paper travel well in the wind. A tornado can carry a photograph 200 miles and set it down without a crumple or tear or even a hint of dampness. So if you cannot hunker down in a safe place you must become as paper. Think of flatness. Extend your arms and press your body to the ground. Then if the tornado takes you, it will bear you up in tendrils of cloud, in long white fingers of condensation. The storm will let you drift and waft and settle like a leaf on a field of cotton. Or on a patch of concrete. In either case, it is better to be light and flat, to be paper, to carry an image of something long past and fading. When I say that a tornado can carry paper a great distance, I mean that cattle will be transported to another pasture and skinned alive or dead by whirling gravel. That rocking chairs will appear on alien porches and pickets from a wrought-iron fence will arrow into a bed of bearded iris. A crystal teardrop from a chandelier, a boxed set of state quarters, an empty suitcase, a teacup and saucer, these will be caught in a divergent current until dispersed by the collapsing supercell. When I say a tornado can carry paper I mean the updraft will lift trucks high above the ground and crash them down on your head. Trees will be plucked up out of the earth and replanted elsewhere. And no one will know where anything came from. Except for the cancelled checks and receipts and you will see those on television, along with the child's shoe and the skeleton of a cat. When I speak of these things perhaps you will think of the Biblical rain of frogs. Or the rain of blood that soaked Richard the Lionheart. I tell you these signs and wonders are in fact so commonplace they appear in meteorology textbooks. Frogs get sucked up as a waterspout passes over the pond. Rain becomes infused with Saharan dust or the soot from coal fires or the spores of microalgae. Trentepholia in the Inter-Tropical Convergence Zone. Iron oxide from dried swamps. The small detritus of the world borne aloft and mixed with the humid air of the Deep South. This is what you will see: A red rain staining your clothes. The frogs sliding off your skin and hopping away. No one ever forecasts displacements or discolorations. But what I want to tell you is that whatever falls from the sky was once a part of the earth. That some things will fall more slowly or in places more unexpected than others. And that it is well to be two-dimensional in a storm. Think of flatness. Be the paper. 
We have a cover for the forthcoming novella by Lee Tyler Williams! (Thanks to Alban Fischer!)
Crisscrossing through the small towns of Argentina to find a rare rock album, a middle-school teacher from Texas is forced to confront his understanding of the past. Through the language of music, Let It Be Our Ruin examines the myths of identity and historic realities. Rumors about a musician whose fame peaked during the Argentine dirty wars and teenage gossip about a high-school friend harmonize with the stories of nations to create a composition about grief, the multiple ways of speaking truth, and the blues.
 Coming Soon! Winter 2020!
A devastating tornadic storm hits Alabama after erasing the State of Mississippi. Among the survivors are a distraught weatherman, a woman strapped to a dental chair, a man carrying a dead cat, and a golf-club wielding real-estate agent who encounters the undead. In this experimental novella, White’s poetic prose captures the endless trauma of catastrophe: the physical and emotional disorder, the chaotic and contingent patterns of events. Here, the reader will find no neat resolution. Life after grand-scale destruction and near-death experience is effectively another kind of cyclone: spinning and relentless, a state of free fall through dense and violent clouds. "The title of Patti White’s Particularly Dangerous Situation may refer to a storm, perhaps even an apocalyptic one. It might refer to some collective delusion, or it might refer to the situation of living in a world that can produce such a storm. In the end, however, White’s dangerous situation comes down to the intellectual and artistic risk this lyrically narrative collection makes: turning disaster into art. White—who lived through a tornado that devastated Tuscaloosa, Alabama, in 2011—has a survivor’s sense of devastation tempered by an artist’s desire to transform the world. With a poet’s sense of language and gifted storyteller’s pacing, White channels voices (like Faulkner in As I Lay Dying) which provide lenses for understanding a loss that each one struggles to conceive, but the struggle to tell their stories on their terms provides the terra firma of this unique novella. After all, as White writes, '[We] are caught in a narrative that might not be survivable.'” ~ Jeff Newberry, co-author of Cross Country "Poet Patti White concocts with this stunning and stuttering prose engine, Particularly Dangerous Situation, a Medusa-haired memo war on the fly, a transcript of Traumatic Stress Disorder before it gets a chance to be Post. I kept thinking of what black and white disasters were befalling Kansas when Toto wasn’t there anymore. White’s draining novella is all Coriolis effect and falling isobars of emotion, rich in vortices and bowing echoes of booming syntax. Diaphanous and occluded, the book is a catalogue of jagged and jittery clouds—mackerel smacked, nightmare’s tails, an Old Testament hardware store of hammers and anvils." ~ Michael Martone, author of The Moon Over Wapakoneta and Brooding "Particularly Dangerous Situation consumes and entrances. In fact I became Jonah in the belly of a twister built by White. Each page—each sentence—is another edge, ledge, ledger, conflagration. And yet for every collapsing absence in this tour-de-force, White's poet-steeped prose wills a luminous architecture by which to know the way. And just as I finished this scorcher, I began it again. There is no finer compliment than that arc traced by leaping back to word one. This is White at her finest. I urge you toward PDS today!" ~ Abraham Smith, author of Destruction of Man
 Laura Krughoff talks with Alison Nissen on the Florida Writer Podcast about Wake in the Night, Midwestern stories, and her debut novel, My Brother's Name. Listen here.  Tune in this week to listen to Laura Krughoff's interview with Radio Tacoma.
Dial in to 101.9 FM from Tacoma, or stream online at https://radiotacoma.org from anywhere in the world. Every day for the next few weeks at 8:00 AM, 2:00 PM, or 8:00 PM Pacific Time  Brooke Larson is the author of Pleasing Tree, published by Arc Pair Press, and Origami Drama, published by Quarterly West.
Brooke! Hi. Thanks so much for doing this Q&A. I recently finished reading Origami Drama, which has a few overlapping essays / prose poems / dramas with Pleasing Tree and the one emotion that felt really solidified from reading both books is joy. Both books contain feelings of angst, loneliness, even something like existential despair, but instead of trekking into an abyss, you and your speakers seem to find a haven in these liminal spaces, between the sacred and the profane so to speak, the body and soul, in the folds in the Origami pieces, and in those liminal spaces, there is a lot of laughter and silliness and a love of life. Why do you think that is? |
