"With I and You, J. David Stevens has set an example
worth following." ~ David Amadio, Cleaver
Thanks to David Amadio and Cleaver editor, Nathaniel Popkin, for the review!
Read the full review here.
Brooke Larson talks with Eliot Parker on Now, Appalachia about her Arc Pair Press nonfiction collection, Pleasing Tree, essay writing, urban loneliness, and her Quarterly West chapbook, Origami Drama.
Patti White is the author of four collections of poems, Tackle Box (2002), Yellow Jackets (2007), Chain Link Fence (2013), and Pink Motel (2017), all from Anhinga Press. Recent chapbooks include A is for Aphasia (2013), Kontakion (2014), and District Flood (2014). Her poetry has appeared in journals including Iowa Review, North American Review, River Styx, Nimrod, DIAGRAM, Forklift Ohio, Parcel, McNeese Review, Slippery Elm, Vine Leaves, Waccamaw, and New Madrid; her nonfiction in Gulf Coast and Mulberry Fork Review. She lives in Tuscaloosa, Alabama.
In White's novella-in-poetic-vignettes, Particularly Dangerous Situation, eight speakers, including the weatherman, survive the hours immediately after a storm so destructive that the entire State of Mississippi disappears.
Lee Tyler Williams is the author of the novel, Leechdom (New Plains Press, 2015). His writing has been nominated for a Pushcart Prize, published in numerous magazines, and featured on National Public Radio. He was born in Dallas, Texas.
Williams's novella, Let It Be Our Ruin, takes place in Argentina where a Texas middle-school teacher searches for the last album of an obscure musician who was disappeared during Argentina's Dirty War in the 1980s.
This spring, we had the opportunity to ask J. David Stevens, author of I and You and Mexico is Missing, a few questions about writing, history, and, of course, love.
Our publisher, Heather Momyer, spoke with Alison Nissen, host of the The Florida Writer Podcast, about mini-books, publishing, and eating rice and beans and crickets.
You can listen to the interview here.
Gabriel Welsch reviews Mouth Trap for Heavy Feather Review:
"The poems comprising Mouth Trap demonstrate sonic play, prosodic acrobatics, and wit both subtle and overt, sometimes in the same line."
~ Gabriel Welsch, Heavy Feather Review
Read the full review here.
Essayist Brooke Larson guest blogs for Dawning of a Brighter Day, the blog for the Association for Mormon Letters, writing about her ANASAZI experience and providing lots of excerpts from Pleasing Tree.
Find the full text here.
Emily Webber reviews Wake in the Night for jmww.
"Wake in the Night is flooded with life, and one gets the sense that Krughoff is a careful study of character and what forms a person’s identity. That curiosity and care with which Krughoff approaches her characters are deeply felt in her writing, making this an unforgettable collection." ~ Emily Webber, jmww
See the full review here.
Campion opens her review stating, “The four stories in J. David Stevens's short story collection I and You explore the experience of Chinese immigrants in the United States. Yet, unlike other stories about the immigrant experience, these are penned by a Caucasian American, whose access to the immigration narrative comes through his Chinese-born wife, Janet. They touch on themes familiar to immigration narratives: loss, the desire to belong, the search for identity, and most of all, the rifts that immigration causes between immigrants and their country, between immigrant parents and their American-born children, or between Caucasian Americans and newcomers to their country. But they all connect to the broader theme of otherness.”
She continues on to say, “As an immigrant myself, I approach such narratives with curiosity, expecting to find an echo of my own experiences, but also with skepticism. Stevens isn't himself an immigrant, so how could he tell such stories? In an age keenly aware of the pitfalls of representation, his writing demonstrates the validity of the enterprise.”
Read the full review HERE.
"Heat is Heat"
Mouth Trap by Rebbecca Brown
The truck turned past fields and paddies while heat held him in its grip gasping with nothing but a gun and desire to drown the water that presses, swamps him.
What do you think the woods would want without the sun to slash them green? he said while the truck bumped over a road choking hope.
He said I would like to break this heat, bottle it up, sell it to the frostbitten, save it. No way else to explain but cold is cold and heat is heat.
The migration of birds across rivers and valleys from icy nights swamped with water wavering vision moved toward someone who thinks he can capture heat bottled and stuffed.
The dead are practical. He takes his gun slings it over a shoulder and shoots blustered feathers into falling. He says There should not be sadness. The dead are practical all piled up.
Think about it he says. In the dirty water the thrashing fish tease worms. What would we do without the heat of the dead to sustain us?